
The Madonnas of Leningrad
Debra Dean
Reviewed by Michelle Boucher-Ladd
The Madonnas of Leningrad is
a haunting debut novel for Debra Dean. The main character, Marina, is
failing. She is struggling to remember as age and Alzheimer’s eat away
at her memory. She lapses back to a tramatic period in her life and
mixes past memories with the present. Her past is the siege of
Leningrad during World War II where she worked at the Hermitage Museum
as a tour guide. During the fall of 1941 with the Germans descending on
the city she works with others to remove all of the art from the walls
and frames of the museum. As she works she is locking away in her
memory thousands of paintings so that she might point to any spot on
the wall and remember vividly what was there. Someone must remember.
As the Germans begin to surround the city Marina’s childhood sweetheart
asks her to marry him, she agrees and he takes her picture with him to
the front and later as a prisoner he takes it to Germany. It is her
image that consoles him. This is a hauntingly beautiful story of faces.
As Marina becomes surrounded by hunger and death it is the memory of
art, paintings of the virgin that carry her through the winter. Marina
creates for herself a “memory palace,” where she is safe and can feast
upon the beauty that was. Debra Dean’s use of imagery brings the
Hermitage to full glory on a contrasting background of human tragedy.
It is an amazing story of survival and of love.
The modern day Marina is reliving the past only this time it is her
mind that is under siege and Alzheimer’s has replaced the Germans.
Having survived the siege and a pregnancy Marina is then reunited with
her love, Dmitri. Together they begin a new life in the United Sates
where they raise a family, eat well, and never speak of the past. As
Marina’s memory slips back to her days at the Hermitage her daughter
Helen becomes aware that there is more to her mother than just the
doting old housewife she grew up with. Helen tries to pry away at her
mother’s memories hoping to draw from the past links to her own life
and her own love of art.
This is a sad story told in such a loving way that it is hard to put
down. Debra Dean has done a fantastic job of creating for the reader a
museum of words and images that are both heartrending and breathtaking.
This book will inspire a visit to your local art museum or gallery. It
is a perfect pick for book clubs as it poses so many questions of art
and humanity. Is art nourishment? How is war beautiful? How do we
remember things? This passage could inspire much discussion:
“ No one weeps anymore, or if they do, it is over small things,
inconsequential moments that catch them unprepared. What is
left that
is heartbreaking? Not death: death is ordinary. What is heartbreaking
is the sight of a single gull lifting effortlessly from a street lamp.
Its wings unfurl like silk scarves against the mauve sky, and Marina
hears the rustle of its feathers. What is heartbreaking is that there
is still beauty in the world.”
It is so thought provokingly written. The Madonnas of Leningrad will
have you rereading its most contemplating segments and its imagery will
haunt you. It will definitely have you looking forward to the next
Debra Dean novel.